PROCESSING TP

PROCESSING TP


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Spedito da
Magazzino ItalyComics
Editore
DRAWN & QUARTERLY
Previews
previews USA giugno 2024
ISBN
9781770467323
EAN
978177046732352495
data pubblicazione
27/06/2024

Riotous bodies abound in these deeply honest comics that will get you through it (or at least help) “When you order CBD gummies for your anxiety but forget to consider your eating disorder.” Known for her buzzing colors, delightful patterns, sharp humor, and unflinching vulnerability, Tara Booth does not miss any mark in this exquisitely woven collection of pure and nasty magic. Part advice column and exhibit, exploration of psychic pollution and tranquility, Processing is—quite simply—intrepid: in its honesty; its unapologetic grossness; its unrivaled and frank portrayal of life with a body that bleeds. In the grand tradition of underground women cartoonists like Julie Doucet and Aline Kominsky-Crumb, Booth draws a horned up woman laying rose petals on the bed, to distract from the bedbugs before her hookup arrives. She bears witness to the reality of wearing a t-shirt with no bra—when you stretch, your boobs, sometimes, pop right out. This is all just life but we don’t often see it on the page. Undaunted, Booth draws it. When advice from spiritual gurus like Tara Brach and Ram Dass just aren’t cutting it, take solace in the genuine arms of Tara Booth: a fearless cartoonist who is unafraid to put her existential angst, blemishes, and stains right on the page, and who—with relentless relatability—makes us all feel a bit more at home in our too-human vessels. With color that vibrates and fluids that impose, Processing lays Booth bare—literally and figuratively.


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ACME NOVELTY DATEBOOK HC VOL 3

The third and final installment of the artist's facsimile sketchbook series. After over fifteen years deferral, delay and dawdling, the ink-and-paper cheerleader F. C. Ware finally succumbs to imaginary public pressure by concluding his tiresome experiment in reader trust with the third and final volume of secret notebooks and sketches spanning over thirty-seven years of bus rides, airport delays and telephone hold music. Exquisitely crafted fine art doodles, hand-selected meanderings and artisanal rewritings of personal conflict are scattered throughout comic strips unconsciously revealing private hostilities and unflattering portraits of public transportation riders, the whole carefully cleansed of any impugnable or litigious tracery. As a professional adult-picture-book drawer and regular contributor to the New Yorker, Le Monde and the Illinois Cook County Assessor’s office, Mr. Ware’s work in these pages secures his reputation as an reliably unreliable self-narrator, willing to say or write anything to win petty disputes and imagined squabbles. 208 full-color pages augmented by annotations, introduction and a professional apology, with paper boards and cloth spine of misleading demureness to conceal its native prurience.

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