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9 TIMES MY WORK HAS BEEN RIPPED OFF TP

A veteran illustrator imparts practical advice for the working creative with candid humor Raymond Biesenger has over twenty years of experience as a self-employed creative. Sure, everything an aspiring creative needs to know might be at their fingertips. But the question of what to do when their work has been exploited remains. This portable, and elegantly illustrated guide to navigating and maneuvering the least glamorous aspects of the creative industry is a future classic suitable for everybody from the earnest novice to the seasoned professional.


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new series

ANIMAN HC

Pet therapist by day, animal-morphing pet detective by night?fear not, Animan?s on the case! A radioactive mosquito bite as a baby gives Francis the superpower of morphing into any animal at will. Learning to keep his powers secret from an early age, Francis takes up pet therapy as his day job, the perfect cover for his secret identity as Animan. Francis uses his fantastical gift to treat his animal patients, go undercover to solve murders, and battle it out with his nemesis, Objecto, a man capable of transforming into any and every possible object. And to top it all off, in his free time Francis is an avid watercolorist, who enjoys drawing landscapes and risqu? portraits of his frog girlfriend, Fabienne. Veteran cartoonist Anouk Ricard delivers a fresh take on the superhero genre, imbued with her signature slapstick sensibility, preposterous scenarios, and off-the-wall punchlines. Translated by Montana Kane.


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ARE YOU WILLING TO DIE FOR THE CAUSE TP

The critically acclaimed graphic novel about Quebec’s contentious history by the founder of D+Q–is now in paperback. It started in 1963, when a dozen mailboxes in a wealthy Montreal neighborhood were blown to bits by handmade bombs. By the following year, a guerilla army training camp was set up deep in the woods, with would-be soldiers training for armed revolt. Then, in 1966, two high school students dropped off bombs at factories, causing fatalities. What was behind these concerted, often bungled acts of terrorism and how did they last for nearly eight years? Chris Oliveros sets out to dispel common misconceptions about the birth and early years of a now-defunct movement whose legacy still holds a tight grip on Canadian politics and the hearts and minds of Quebec. The Front de libération du Québec (or in English, the Quebec Liberation Front), began as a socialist movement with a goal of championing workers’ rights among the province’s French-speaking majority. Their goal? Ridding the province of English business owner oppression by any means necessary–including violent revolution. Using dozens of obscure and long-forgotten sources, Oliveros skillfully weaves a comics oral history where the activists, employers, politicians, and secretaries piece together the sequence of events. At times humorous, other times dramatic, and always informative, Are You Willing To Die For The Cause? shines a light on how just little it takes to organize dissent and who people trust to overthrow the government.


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AYA HC VOL 08 FACE THE MUSIC

The young and restless of Yop City just can?t seem to catch a break. Marguerite Abouet and Clement Oubrerie?s world-renowned and critically acclaimed series about ?80s life in the Ivory Coast continues with Aya: Face the Music. After getting thrown in jail for organizing a student housing protest, Aya must grapple with the aftermath of her decisions. Her friends don?t have it much easier. Her classmate Cyprien has been unconscious since police violently broke up their demonstration, and his family can barely scrape together funds for treatment. Her dear friend Albert, last seen passing out at dinner with his family, awakes in the countryside in the clutches of a healer his father has hired to pray his gay away. In France, Albert?s ex-paramour Inno agrees to enter into a fake marriage with his friend Sabine with surprising results. And back in Abidjan, embattled starlet Bintou must find a way to capitalize on the public?s newfound sympathy after her house is burned down by an angry mob. Translated by Abidjan-based writer and activist Edwige Ren?e Dro, this contemporary classic of Ivorian literature bridges the gap between the past and present, proving that no matter how much things may change, we change with them too.


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CLUB MICROBE HC

It's a ger's world. W're just living in it! In Club Microbe, Elise Gravel teaches young readers that germs live all around u'and even inside of us! Guided by Gravel in this formidable introduction to the fascinating world of microorganisms, we learn that some microbes get a bad rep for making us sick, but that most are helpful creatures that allow us to digest food, make cheese, and even enable snowflakes to form in winter. In her signature colorful cartoon style, Gravel describes the invisible work of microorganisms that aid in creating our food, producing oxygen, and keeping our planet alive. She gives us a tour of the heroes and the villains of the microbe world, stopping to marvel at their unique names and wondrous shapes. Following the perennial success of The Mushroom Fan Club and The Bug Club, this latest installment of the hit science-focused collection will deepen reader' curiosity for all aspects of the natural world. A whimsical primer on the microscopic life that surrounds us, Club Microbe is sure to pique the interest (and imagination!) of any young scientist. Translated by Montana Kane.


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DOG DAYS TP

The author of Grass and The Naked Tree returns with a profound tale of family Yuna never wanted to adopt a dog. But with her partner in mourning–and in desperate need of a boost in morale–she gives in to his humble request. And in the grand tradition of reluctant pet owners, she and their puppy soon become inseparable. The young couple even goes so far as to relocate to soothe their new canine pal’s anxiety. After all, there’s nothing like a move to the country to set yourself right. Right? The idyll of a quiet life soon gives way to a surprising degree of antagonism, including clashes with long-time local residents of a different generation. The culture shock is palpable for all three urban transplants as the isolation of their new environs starts to sink in. They eventually adopt another dog, and still another–all while reckoning with the ups and downs of middle-age and childlessness in an unforgivingly traditional milieu. Dog Days is critically-acclaimed and multi-award-winning cartoonist Keum Suk Gendry-Kim’s first foray into contemporary fiction. With the aid of veteran translator Janet Hong, Gendry-Kim’s twenty-first century tale of an unconventional family building trust with one another and their neighbors is a heartfelt exploration of compassion and the unlikely places we find the love we all need.


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DRIFTING LIFE TP

The award-winning memoir translated by Taro Nettleton with a new design by Adrian Tomine In this memoir that won two Eisner Awards, the Tezuka Osamu Cultural Prize, a prize at the Festival de la BD d'Angoul?me, legendary manga-ka Yoshihiro Tatsumi uses his lifelong obsession with comics as a framework to tell his life story incisively and unflinchingly. He deftly weaves a complex story that encompasses Japanese culture and history, family dynamics, first love, the intricacies of the manga industry, and most importantly, what it means to be an artist. Alternately humorous, enlightening, and haunting, A Drifting Life is the masterful summation of a fascinating life and a historic career. Over sixty years ago, Yoshihiro Tatsumi expanded the horizons of comics storytelling by using the visual language of manga to tell gritty, dark, literary stories about the private lives of everyday people, a genre he coined ?gekiga.? A Drifting Life is Tatsumi?s most ambitious, personal, and heart-felt work and considered to be one of the defining autobiographical works of the comics medium.


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FIELDER 4

The multi-Ignatz winning, Eisner and Harvey nominated cartoonist is still at it. In Fielder #4, dense but pleasant mid-western weather moves in, fastpitch softball pitching duels are recalled. Issue #2 was on the Comics Journal?s Ten best comics of 2024, and this one will surely win even more awards. Includes the next chapter of Huizenga?s long running adaptation of the old Dell comics series, here re-named ?BONA.? Glenn Ganges, in different genre-bending roles, thinks and acts in reaction to his circumstances, to meet his goals. In the new chapter of his ongoing Fielder, Michiana, Glenn continues his walk through the mid-sized midwestern town of Fielder on a Saturday afternoon. Cartooning as poetry and graphic design, good pitching, good defense, and will strike you out.


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FIREBUGS HC

Everything is changing– – but everything is also exactly the same. Ingken can’t ignore it: ice caps stained brown from forest fires, pipeline construction, drought… the whole world somehow persists despite the slow erosion of stability. After a trip to Paris, Ingken returns home ready for a break from drugs. Their supportive partner, Lily, is flushed, excited about a new connection she’s made. Although Ingken wants to be happy for her, there’s a discomfort they can’t shake. Sleepless nights fill with an endless scroll of images and headlines about climate disaster. A vague dysphoria simmers under their skin; they are able to identify that like Lily, they are changing, but they’re not sure exactly how and at what pace. Everyone keeps telling them to burn themself to the ground and build themself back up but they worry about the kind of debris that fire might leave behind. Nino Bulling’s artwork is immediately familiar. Like a conversation with a good friend, their story is told as quiet as it can be loud. Crowds and landscapes squiggle in expressive black and white. Red cuts through panels with energy and persistence, bringing life to what might seem dead. In its most intimate moments, Firebugs asks what it means to transition in a transitioning world.


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FORCES OF NATURE HC

The arrival of the greatest single panel cartoonist since Charles Addams One swing trapeze artist prepares to receive a newborn child from another all the while shrieking Support the head! A hopeful, naked Adam reaches high for the largest leaf while a frustrated Eve hands him a smaller, more-appropriately sized leaf. A dejected squid stands in a doorway, shock and dismay on his face, as a ruined surprise party lies in wait before him—guests, presents, and birthday cake covered in a blast of ink in mid-Sur… as loose balloons butt against the ceiling. Once in generation, a distinctly new perspective emerges from the pages of The New Yorker. In our times, that perspective belongs to Ed Steed. Steeped in the classic formalist tradition of the single-panel gag, Steed possesses a shocking and macabre talent for drawings guaranteed to make even the most composed of casual readers laugh out loud. At times reminiscent of Charles Addams, George Booth, William Steig, Saul Steinberg, and Edward Gorey, the artist defies the blasé, urbanite’s worldview of the magazine in which his comics appear. If anyone has described a New Yorker cartoon to you at a cocktail party recently it is almost certainly a Steed. Forces of Nature is the first of what promises to be many award-winning collections by this young man with an old cartooning soul.


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GIANT ROBOT HC

Celebrating the pop culture phenomenon that redefined what it meant to be Asian-American with tributes from Margaret Cho, Randall Park, Jia Tolentino, and more. Los Angeles, 1994. Two Asian-American punk rockers staple together the zine of their dreams featuring Sumo, Hong Kong Cinema and Osamu Tezuka. From the very margins of the DIY press and alternative culture, Giant Robot burst into the mainstream with over 60,000 copies in circulation annually at its peak. Giant Robot even popped right off the page, setting up a restaurant, gallery, and storefronts in LA, as well as galleries and stores in New York and San Francisco. As their influence grew in the 90s and 00s, Giant Robot was eventually invited to the White House by Barack Obama, to speak at Harvard University’s Graduate School of Design, and to curate the GR Biennale at the Japanese American National Museum. Home to a host of unapologetically authentic perspectives bridging the bicultural gap between Asian and Asian-American pop culture, GR had the audacity to print such topics side-by-side, and become a touchstone for generations of artists, musicians, creators, and collectors of all kinds in a pre-social media era. Nowhere else were pieces on civil rights activists running next to articles on skateboarding and Sriracha. Toy collectors, cartoonists, and street style pioneers got as many column inches as Michelle Yeoh, Karen O, James Jean, and Haruki Murakami. Giant Robot: Thirty Years of Defining Asian-American Pop Culture features the best of the magazine’s sixty-eight issue run alongside never-before-seen photographs, supplementary writing by long-term contributing journalist Claudine Ko, and tributes from now-famous fans who’ve been around since day one. Margaret Cho, Daniel Wu, and Randall Park celebrate Giant Robot’s enduring legacy alongside pioneering pro-skateboarder Peggy Oki, contemporary art giant Takashi Murakami, culinary darling Natasha Pickowicz, and critically acclaimed essayist Jia Tolentino.


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GLEEM TP

Enter a future of defiant vitality in GLEEM Imbued with cyberpunk attitude and in the rebellious tradition of afrofuturism, GLEEM is drawn with a fierce momentum hurtling towards a future world. Carrasc's distinct cinematic style layers detailed panels and spreads, creating a multiplicity of perspectives, at once dizzying and hypnotic. Vignettes unspool in proximity to our own social realities and expand into the outer layers of possibility. Whether in the club or a robot repair workshop, the characters in these three interconnected stories burst across frames until they practically step off the page. A boy becomes bored at church with his grandmother until he tries a psychedelic drug. A group of friends are told that they need a rare battery if they want any chance of reviving their friend. Street style and cybernetics meet and burst into riotous dancing. Kindness and violence might not be as distant from each other as we think. GLEEM unsettles with a confidence that could make you believe in anything.


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new series

HOT OR NOT HC

A hilarious send-up of the art world?s patriarchy The history of twentieth century art is filled with men, but one key component has always been missing: Which of these men are boneable? And which are not? Jessica Campbell has created the definitive resource on this very important subject in a hilarious rundown of male artist hotness and notness. From its cheeky scratch-off cover and curator?s statement, Jessica Campbell?s Hot Or Not is a delightful, cheeky exclamation of female desire and utter lack thereof.


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I ATE THE WHOLE WORLD TO FIND YOU TP

An entire sea of water can't sink a ship?unless it gets inside I Ate the Whole World to Find You maps the topography of trauma, treasures, and loss imposed onto the body of Jenny, a twenty-something-going-on-thirty-something partial hot mess who?s routing her way more firmly into adulthood. As she navigates friendship, family, and romantic relationships, will her inability to communicate destroy her, or ultimately be her rebirth? A coworker-turned-prospective-lover confesses a hard-to-swallow fetish. A train ride fantastically goes off the rails as old habits get dragged across the tracks. Cousins revisit summer holiday bliss?or was it really horror? Exes fumble an attempt to reconnect over a dip in the pool on a squelching summer day. And an expectant mother slips into an unusual place as she embarks on a communion with her baby more pure than language can accommodate. Set against an exquisitely lush Australian backdrop, Rachel Ang?s pencils are fluid yet scratchy, precise and evocative, bringing to life the inner and external world of Jenny with stunning realism and gushing imagination. Sprinkled with speculative fiction and fantasy, Ang?s radiant debut collection introduces a dynamic voice to comics, and establishes Ang as one of the most exciting short-story writers working in comics today.


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LEGEND OF KAMUI TP VOL 01

The iconic series that launched the alt-manga bible GARO becomes available in English for the very first time. At long last, manga titan Shirato Sanpei's groundbreaking epic makes its way into English. Celebrated as a watershed of both the Japanese counterculture and dramatic, longform storytelling in manga, The Legend of Kamui serves up clashing swords and class struggle to create a timeless political allegory set in feudal Japan. This ten-volume series is a must-have for fans of samurai and ninja manga and anime, and of other giants of postwar manga like Tezuka Osamu, Mizuki Shigeru, Tsuge Yoshiharu, and Lone Wolf and Cub's Kojima Goseki. It's the 17th century in Japan. Child outcast Kamui lives on the fringes of a miserably stratified society. Fueled by pure grit, rage, and a dash of cunning, his only way out is to take up the mantle of ninja. Follow scrappy peasants, cold-blooded ninja, and disgraced and exalted warriors as they navigate the unforgiving hardships of a violent yet hopeful age. With its vivid and critical attention to social injustice and environmental issues against a backdrop of heart-pounding action and romance, this multilayered gekiga drama not only redefined ninja and samurai fantasy, it also offers astonishing parallels with the modern day. Originally serialized between 1964 and 1971 in the legendary alt-manga magazine GARO, The Legend of Kamui is translated by social historian and decorated academic Richard Rubinger with Noriko Rubinger.


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LEGEND OF KAMUI TP VOL 02

More swords, more fighting, more deception...Shirato Sanpei?s epic feudal sword drama continues! In Shirato?s world, life is hard and every step forward is hard-won. But through that hardship comes strength. The Legend of Kamui: Volume 2 features more action and more intrigue as minor characters step into the light of this sweeping seventeenth-century social tapestry. Translated by Richard Rubinger with Noriko Rubinger


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LEGEND OF KAMUI TP VOL 03

The greatest sword-and-samurai epic of all time continues! Our hero Kamui is fresh off his training and begins to infiltrate the delicate hierarchy oppressing the countryside in order to begin tearing it down, piece by piece. Shosuke faces off with a new assassin because of what he may?or may not have?witnessed. Ryunoshin?s vendetta befuddles the chief headman as well as his lord. Meanwhile, Kamui?s fellow outcast Saesa takes on a more prominent role. Revolution is in the air, and the sound of clashing swords rages on in Shirato Sanpei?s landmark manga epic?the first of its kind. Translated from the Japanese by Richard Rubinger with Noriko Rubinger.


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new series

MEMOIRS OF MOOMINPAPA HC

D&Q'sdeluxe hardcover series of the classic mid-century MOOMIN chapter books continues! Before he had a family, even before he met Moominmamma, Moominpappa led a life of adventure and intrigue. But he's never told his story ?til now. Being under the weather with a bad cold, provides the perfect opportunity to remember his youthful endeavors and to ponder the experiences that have made him the remarkable Moomin that he is. The Memoirs of Moominpappa by Tove Jansson was originally released in Swedish in 1950 and has been published in over fifty languages. Often regarded as the most philosophical of the Moomin chapter books, it shares the introspective and imaginative qualities that have made the Moomins beloved for so many decades.


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new series

METADOGGOZ HC

A wise-cracking, dystopian visual feast Gael Kaldera is a self-styled ?junkyard dog? who runs with his crew the Metadoggoz: a squad of teenage dirtbags living in the techno-megalopolis, the Metastation. With no place to crash after losing his friend?s guitar, he drops a tab of ?metadoggo? at a late night rave with his friends and everything goes sideways. Strobing lights, teeming dance floors and endless skyscrapers form an eerie, futuristic backdrop for this daring, imaginative exploration of race, class, and belonging through the lens of youth culture and science-fiction. Translated by Montana Kane, Metadoggoz reinvents the cyberpunk fairy tale in the vein of Tank Girl, Blade Runner, and Love & Rockets.


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MILK WHITE STEED TP

The mournful, tragicomic tune of wanderlust undercut by the longing for a home seemingly lost ?Have I settled down yet?? The question rings eternal across all ten stories in this highly anticipated debut collection of comics fiction by New Yorker and New York Times contributor Michael D. Kennedy. A series of individuals leave the West Indies and attempt to find their footing in the damp dinge of England?s counties. A child on his daily trike ride is stalked by a sinister, shape-shifting ligahoo. A blues singer?s wife hallucinates untoward revelations in the grips of high yellow fever when she inhales spores from psychedelic mushrooms growing unchecked in their apartment. A man dwells on his absent father, paints the man into a duppy myth, and bears the consequences of this fantastical undertaking. Inspired by the folk tales and oral traditions of his Caribbean roots, Milk White Steed is a dreamlike venture into the messy truths of everyday West Indian lives: the abiding pursuit of the familiar and the vicious appraisal of their own otherness, all at once. Phantom desires, unchecked reveries, and surreal visions of the future flood the page in full-color. Kennedy?s decisive woodcut-inspired brush-strokes draw a striking portrait of the Black diaspora as it sees itself, always searching and yet forever seeing.


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MOOMIN ADVENTURES TP VOL 02

The classic comic strip by Tove Jansson and Lars Jansson in a new paperback series!This volume is jam-packed with classic Moomin antics and shenanigans. Whether it?s setting up finicky ghosts on a blind date or becoming devout followers of quarreling prophets, the Moomins? quick wit and existential musings never fail to disappoint. Every story in this collection is a bundle of fun, offering a timeless treasure trove of good-hearted whimsy and delight.


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MOOMIN ADVENTURES TP VOL 1

The classic comic strip by Tove Jansson and Lars Jansson in a new paperback series Presented in an all new softcover format that collects the all ages comics of both Tove Jansson and Lars Jansson, the five-volume Moomin Adventures series will introduce the timeless comic strip to a new generation of readers of all ages. The strip’s gentle humor and subtle yet sharp musings on life relay an utterly human existence through the lives of Moomin, Moominmamma, Moominpappa, Snufkin, Little My, Snork Maiden and more. Moomin Adventures: Book One kicks off with perhaps the most famous adventure of them all, Moomin on the Riviera, which was adapted into an animated feature and debuted at the London Film Festival. In Moomin’s Desert Island, the entire Moomin family is stranded on a desert island—the very island their ancestors came from. The Moominvalley hijinx continued with a charming mix of strips from Finland’s most famous writer/artist Tove Jansson, and her brother Lars Jansson who taught himself how to draw in order to take over the strip when it was in syndication. When D+Q debuted the Moomin comic strip in 2007, it was the first time that the comic strip had been published in english since its original appearance in the London Evening News. The series has gone on to sell 400,000 volumes.


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MUYBRIDGE HC

How do you capture a changing world in the blink of an eye? Sacramento, California, 1870. Pioneer photographer Eadweard Muybridge becomes entangled in railroad robber baron Leland Stanford?s delusions of grandeur. Tasked with proving Stanford?s belief that a horse?s hooves do not touch the ground while galloping at full speed, Muybridge gets to work with his camera. In doing so, he inadvertently creates one of the single most important technological advancements of our age?the invention of time-lapse photography and the mechanical ability to capture motion. Critically-acclaimed cartoonist Guy Delisle (Pyongyang, Hostage) returns with another engrossing foray into nonfiction: a biography about Eadweard Muydbridge, the man who made pictures move. Despite career breakthrough after career breakthrough, Muybridge would only be hampered by betrayal, intrigue, and tragedy. Delisle?s keen eye for details that often go unnoticed in search of a broader emotional truth brings this historical figure and those around him to life through an uncompromising lens. Translated from the French by Helge Dascher & Rob Aspinall, Muybridge turns a spotlight on what lives in the shadow of an individual?s ambition for greatness, and proves that Eadweard Muybridge deserves to be far more than just another historical footnote.


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NATIVE TREES OF CANADA TP

A new edition of the artist’s bold reinterpretation of a century-old book With a foreword by Sheila Heti, Leanne Shapton’s cult art book inspired by a government textbook is back in print with a gorgeous new cover. While shopping in the used-book store the Monkey's Paw in Toronto, Leanne Shapton happened upon a 1956 edition of the stalwart reference book The Native Trees of Canada, originally published in 1917 by the Canadian Department of Northern Affairs and National Resources. Most people might simply view the book as a dry cataloging of a banal subject; Shapton, however, saw beauty in the technical details and was inspired to create her own interpretation of The Native Trees of Canada. Shapton distills each image into its simplest form, using vivid colors in lush ink and house paint. She takes the otherwise complex objects of trees, pinecones, and seeds and strips them down into bold, almost abstract shapes and colors: the water birch is represented as two pulsating red bulbs contrasted against a gray backdrop; the eastern white pine is represented by a close-up of its cone against a radiant summer sky. The author of Guest Book; Toys Talking; Sunday Night Movies; Swimming Studies; Was She Pretty? and Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry, Shapton puts forth yet another entirely new facet of her creative artistry.


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OBA ELECTROPLATNG FACTORY HC

An alt-manga legend strikes out on his own, creating some of his most revealing and personal works Oba Electroplating Factory is a startlingly bleak but nonetheless captivating portrait of mid-century Japan in its most unglamorous iteration. Glimpses of the artist reflecting upon his life, his work, and his contemporaries pepper the narrative landscape: a wife teases her husband about a former fling on a trip to the hot springs, a young cartoonist is aghast at the cavalier conduct of his supposed betters, and imperfect men must grapple with the discomfort of their own honesty. Tsuge’s stories are studies in staging nature, working to evoke stillness and movement in such a way that renders his chosen setting a character all on its own. Following the breakthrough success of Nejishiki, Yoshiharu Tsuge forges a path for autofiction in manga and changes the cultural landscape of comics forever. Some of his most revealing and personal works were published between 1973 to 1974. As much as it is a testament to the author’s predilection for addressing sensitive and mature themes in response to his culture, this volume also collects works from the only period in which Tsuge tries his hand at writing for a mainstream audience in earnest. This fourth volume in the complete works of a legendary manga-ka is an indispensable addition to the literary comics canon and shining example of world literature at its most human. EditBuild


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PAYING FOR IT TP FILM EDITION

Paying for It was the most talked-about and controversial graphic novel of 2011, a critical success so innovative and complex that it received two rave reviews in The New York Times. Chester Brown's eloquent, spare artwork stands out in this new paperback edition, tied to the release of the film adaptation co-written and directed by Sook-Yin Lee, Brown’s longtime friend and the director of Year of the Carnivore and Octavio is Dead! Paying for It offers an entirely unvarnished exploration of sex work through Brown’s own life story, showing him as a timid john who rides his bike to his escorts, wonders how to tip so as not to offend, and reads Dan Savage for advice. The book demystifies an experience that is so often sensationalized, revealing a world of online reviews, seem- ingly willing participants, and clean apartments devoid of clichéd street corners, drugs, or pimps. In it, Brown combines the personal and sexual aspects of his autobiographical work (I Never Liked You, The Playboy) with the polemical drive of Louis Riel, as he explores one of the most hotly debated issues in the world and advocates for the importance of legalizing sex work. Now with an introduction by Lee, expanded notes discussing the film adaptation, movie stills and behind the scenes shots, as well as a new cover by Brown and artwork that he created for the production, Paying for It: The Film Edition is an unmissable edition for fans of Brown and film-making alike.


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PHYSICS FOR CATS HC

What happens to a cat who goes through a wormhole? Tom Gauld returns with Physics for Cats, his second collection of science-based cartoons for the New Scientist. Find out why every scientist worth their sodium chloride has a Tom Gauld cartoon taped to their electron microscope. This new batch of hilarious gags will be as important to every self-respecting scientist as a lab coat and goggles and oversize rubber gloves.


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PROCESSING TP

Riotous bodies abound in these deeply honest comics that will get you through it (or at least help) “When you order CBD gummies for your anxiety but forget to consider your eating disorder.” Known for her buzzing colors, delightful patterns, sharp humor, and unflinching vulnerability, Tara Booth does not miss any mark in this exquisitely woven collection of pure and nasty magic. Part advice column and exhibit, exploration of psychic pollution and tranquility, Processing is—quite simply—intrepid: in its honesty; its unapologetic grossness; its unrivaled and frank portrayal of life with a body that bleeds. In the grand tradition of underground women cartoonists like Julie Doucet and Aline Kominsky-Crumb, Booth draws a horned up woman laying rose petals on the bed, to distract from the bedbugs before her hookup arrives. She bears witness to the reality of wearing a t-shirt with no bra—when you stretch, your boobs, sometimes, pop right out. This is all just life but we don’t often see it on the page. Undaunted, Booth draws it. When advice from spiritual gurus like Tara Brach and Ram Dass just aren’t cutting it, take solace in the genuine arms of Tara Booth: a fearless cartoonist who is unafraid to put her existential angst, blemishes, and stains right on the page, and who—with relentless relatability—makes us all feel a bit more at home in our too-human vessels. With color that vibrates and fluids that impose, Processing lays Booth bare—literally and figuratively.


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Q&A TP

Everything you wanted to know about storytelling or Adrian Tomine but were too afraid to ask That would’ve been too easy and spontaneous for me, and I had to find a way to make everything more complicated. And yet for over thirty years, bestselling author, screenwriter, and New Yorker cover artist Adrian Tomine’s work has set the standard for contemporary storytelling. With Tomine, his readership has grown from the dedicated following of his comic-book series Optic Nerve to include a wider but still engaged, opinionated, and ever-inquiring public. And now, for the first time in print, Tomine responds to his readers directly, tackling their questions and comments with generosity, humor, and vulnerability. Q&A is one part personal history, one part masterclass in crafting quality entertainment. With questions pulled from his time at the Substack Writers’ Residency, and with additional, new material, Q&A is an indispensable addition to the collections of eagle-eyed fans and aspiring artists, writers, and cartoonists alike. Tomine answers questions about his preferred tools, his creative process, the ups and downs of adaptation, and perhaps most importantly—how to pronounce his last name. Illustrated with drafts, outtakes, and photos from the artist’s personal collection, this rare peek into the mind of a contemporary cartooning giant lays out the method to his meticulous brand of madness. The artist looks back on his career in response to queries from his—maybe adoring but mostly curious—public with his signature dry wit and unflinching, self-deprecating honesty.


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RAW SEWAGE SCIENCE FICTION HC

The great fine art doodler returns Canadian treasure Marc Bell returns with another gorgeous, confounding comic that redefines how an art book can tell a story and how a graphic novel can be an object first and story second. His internal monologue leaks out like static from a radio and informs the external; he’s tying up loose ends; he’s finishing long-paused sentences. Raw Sewage Science Fiction is about making art and understanding the results as autobiography. The process is a series of indignities, bubble wrapped frames, unpaid invoices, art lost through neglect or in the mail. Bell uses autofiction, collage, straight comix, tight cross hatching, loose doodling, repurposed in-flight magazines, envelopes, grocery lists, and snatches of late night CBC radio to examine a lost decade as he wanders from coast to coast. In a century, these will be our illuminated manuscripts, our sacred texts, our guides to life for now they are simply the truth—the irritating, confounding, glorious truth.


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REEL POLITIK TP

An absurdist comic strip satire of cinephilia in the attention economy A specter is haunting the cinema. A contrarian crew of small town theatre employees trade quips about directors, film criticism, and contemporary moviegoing, but underneath their banter and clashes with customers, an ideology begins to take shape. With the help of a dissatisfied cinephile and some witchy magic, the employees radicalize, take over the theatre, and seize the means of projection. What starts out as a workplace comedy simmers and then explodes into an absurdist cinema-focused tract. Cartoonist Nathan Gelgud both champions and lampoons the aspirations and failures of cinema and not a single sacred cinematic cow goes un-punched in this manifesto for revolution through film.


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SECOND HAND LOVE TP

In the end, we're all the same…we just want to be smothered like babies against another human's beating heart Through a cracked door, heartsick Emi hears a playful growl. Cautiously, she lets her lover in—a wolf of a man wielding a bouquet of roses. His shoulders must have been four inches wider than mine. As I stood behind him, I fantasized about the broadness of his chest and the thickness of his neck...and about becoming his mistress once again. And so their story goes. For a young woman interested in love without the hassle of a traditional relationship, an affair with someone else’s spoiled husband is just what she ordered—until it's time to move on. Then there’s Yuko: with even less time for married men's shenanigans, she turns her attention to her aging father and the guilt of adultery that has gnawed at his heart for years. Her mother is long dead, yet her memory is enshrined for eternity in their—both father’s and daughter's—mirrored indiscretions. Drawn soon after the critically-acclaimed Talk to My Back, the two stories in Second Hand Love mark the triumphant return of Yamada Murasaki, one of literary manga's most respected feminist voices. Translated by noted historian Ryan Holmberg, this edition includes an interview with the artist from the height of her career in 1985, where her wit and wisdom are on shimmering display.


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SELF ESTEEM AND THE END OF THE WORLD TP

Life is not a race. There are no winners and losers. Immeasurable people are doing better than you'¦immeasurably worse. You are statistically average. For over ten years, fictional Luke Healy has invested all of his self-esteem into his career. But two years post publication of his latest book, and suffering the blow of his twin-brother not finding him fit to act as best man, both Luke's career and self-esteem seem to have disintegrated. Set against the backdrop of a dangerously changing global climate, with melting ice-caps and flooding cities, Self-Esteem and the End of the World spans two decades of tragicomic self-discovery. From discussing self-help books like Marie Kondo's with the guy you invited over for sex, to summiting a Greek mountaintop while pretending to be working remotely, and a workplace destination murder mystery to a Hollywood revival of Luke's early work, we see our protagonist grappling with his identity as the world crumbles. Quietly funny, smartly introspective, and grounded in deeply-felt familial highs and lows, Self-Esteem and the End of the World ponders what happens when the person you are isn't who you need to be, who you are when nobody's watching, and ultimately, who can you possibly be at the end of the world?


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SHORTCOMINGS A SCREENPLAY TP

The annotated and expanded screenplay adaptation of the landmark graphic novel Ben and Miko’s relationship is in trouble. He’s a struggling filmmaker, she works for a local film festival, and in various ways, they’re both searching for something else. When he’s not managing a derelict movie theater, Ben spends his time obsessing over unavailable blonde women, watching Criterion Collection DVDs, and eating in diners with his best friend Alice, a grad student with a serial dating habit. When Miko moves to New York for an internship, Ben begins to explore what he thinks he wants, throwing himself headfirst into new relationships, unfamiliar surroundings, and uncharted emotional territory. Equal parts comedy and drama, Shortcomings explores the complexities of culture, desire, and Asian American identity with a critical eye and unsparing, irreverent wit. Based on Adrian Tomine’s groundbreaking graphic novel of the same name, Shortcomings was written by Tomine and directed by Randall Park. It premiered at the Sundance Film Festival and was an official selection at the Tribeca Festival in advance of a theatrical release from Sony Picture Classics. Tomine’s screenplay is presented here with extensive annotations, commentary, and bonuses, including alternate and deleted scenes, a selection of color film stills, an introduction from Randall Park, and an exclusive new comic from Tomine. An essential companion to the original graphic novel, this volume is an illuminating document of an iconic story’s adaptation from page to screen.


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SO LONG SAD LOVE TP

No matter how wrong relationships can be, ther's nothing quite like getting them right. Every gu's been a creep at one point or another. Tha's just the way it is. Or at least, tha's what Cleo tells herself once she finds out her boyfriend might not be the man she thought he was. Is it possible to keep loving someone yo're not sure you can trust? More to the point, should you? Once the fabric of Cle's relationship rips at the seams, the life she had built with hi'abroad and away from those closest to he'unravels right before her eyes. Yet, letting it fall to pieces as she walks away is only half the story. So Long Sad Love swaps out the wobbly transition of weaving a new existence into being post-heartbreak for the surprising effortlessness and simplicity of a life already rebuilt. Cleo not only rediscovers her identity as an artist but uncovers her capacity to find love where she has always been most at home: with other women. Mirion Malle dares to tell a story with a happier ending in a stunning, full-color follow-up to the multi-award nominated This is How I Disappear. Translated by Governor General Literary Award nominee Aleshia Jensen, So Long Sad Love unabashedly skips to the good part and shines a light on just how rewarding following your bliss can be.


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VERA BUSHWACK TP

A uniquely thrilling and emotive fantasy ride along a sea-bordered highway The wondrous rustic landscape of Nova Scotia bursts from the page in Vera Bushwack, where reality gladly gives way to fantastical flights of fancy before gently coming back down to earth. A chainsaw fires up and Drew’s vision blurs. Their body vibrates alive with the whrrr of the engine, the whiff of gas. Drew dissolves as their alter-ego, Vera Bushwack, takes charge. Assless-chaps-wearing, unflinching Vera slashes through thick trunks, felling trees righteously from the back of a majestic steed. Vera’s here to help, of course. Drew needs to clear the land for their future cabin in the woods. And if it weren’t for Vera’s brazenness, Drew may, ironically, fall reliant on others to learn self-reliance. Nevertheless, men enter Drew’s orbit, all too eager to explain how things work—an aggravating occurrence that comes crashing into Drew as dependably as the nearby ocean waves. Joy, anger, grief, and self-acceptance ripple through these pages with Sig Burwash’s hilariously expressive pencil drawings and flair for buoyant watercolors. Approaching something like liberation, our protagonist comes to terms with past traumas, boundaries, and the many expressions of themself.


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WE ALL GOT SOMETHING TP

When you?re always searching, you might just surprise yourself with what you find After a rocky attempt at living in London with his partner, Lawrence finds himself single, broke, and back at home in Compton with his mom and great-aunt, moping from bed to kitchen table and back to bed again, with long layovers on the front porch to sit and watch the world pass him by. Everything had been so good?a degree, an animation internship, paid music gigs, the perfect girl. How the heck did Lawrence get knocked so far down, with such little semblance of his former life remaining to hold him together? Well, that?s a long story? Set to a cacophonous soundtrack of church praise, playground noise, bus-stop camaraderie, and Pacific Ocean waves, Lawrence Lindell?s heartbreaking?and heartwarming?We All Got Something recounts a tragic and random act of violence, the PTSD that follows, lost love, and coming to terms with the underlying mental health crises sabotaging it all. A testament to the healing power of art and the vital role community plays in the process, Lindell?s graphic memoir is deeply personal and specific, but also relatable ?because we all got something. The follow-up to Lindell?s Eisner-nominated and Excellence in Graphic Literature Award-winning graphic novel Blackward, We All Got Something brings Lindell?s love of the comics community into a different light, and shows the author exploring deeper and darker corners of his past, with his signature blend of humor, heart, and cartoony lines.


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WENDY AWARD TP

Everybody’s favorite party girl Wendy is so back When Wendy is nominated for the coveted National FoodHut Contemporary Art Prize alongside her friend Winona, all of her millennial dreams seem to be coming true. She lives a post-pandemic, polyamorous fine artist’s lifestyle in the big city and basks in the glory of national attention with the success of her popular comic strip, “Wanda. But not even achieving bona fide art star fame can hide the truth: a never-ending struggle with imposter syndrome. After she cracks in an online interview and gets dragged in the comments section, she heads straight to a local watering hole to drown her sorrows. Several lines of coke, too many drinks, and one all night rager with fans later, Wendy is ready to curse Gen Z and confront her addictions. All the while, she and Winona drift apart as a younger Indigenous artist wedges herself between them. Will Wendy’s commitment to change wind up short-lived? The Wendy Award incisively skewers the art world with its corporate overlords, performative activism, generational wealth, and weaponized therapy speak. A showcase of Walter Scott’s deft wit and social commentary, The Wendy Award asks the hard questions, like Do they still give awards to men? Should we be grateful for the exposure? and What exactly is Big Auntie Energy?


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WHAT IT IS TP

Lynda Barry's bestselling treatise on creativity, What It Is, is now available in paperback How do objects summon memories? What do real images feel like? What is an image? What is the past? For decades, these questions have permeated the pages of Lynda Barry's compositions, with words attracting pictures and conjuring places through a pen that first and foremost keeps on moving. Barry's What It Is demonstrates a tried-and-true creative method that is playful, powerful, and accessible to anyone with an inquisitive mind who wishes to write or to remember. In this exploratory workbook, confessional, and memoir each page is a full-color collage that is a gentle guide to the creative process packed full ofswirling collaged images with pen and ink drawings on Barry's signature legal paper. Barry's award winning book is an invigorating example of exactly what it is: 'œThe ordinary is extraordinary.'


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WHY DONT YOU LOVE ME? TP

A family gets lost in the shuffle of reimagining their lives in this dark, domestic sci-fi comedy Claire and Mark are stuck in the doldrums of an unhappy marriage. She chain-smokes and refuses to leave the house or even change out of her bathrobe. He sleeps on the couch and can?t distinguish one day from the next. With all love lost for family life, pizza and Chinese food take turns on a nightly take-out dinner menu. Husband and wife are plagued by the idea that this is all a dream. Why can?t Mark ever remember their son?s name? Isn?t he a barber? Doesn?t he play in a band? Why is Claire obsessively stalking her ex-boyfriend online? When exactly did she stop caring about what the kids wear to school? And just why can?t she be bothered to tell the other mums at pick-up apart? Didn?t Claire and Mark have different lives? As reports of an imminent nuclear war make subtle waves on the radio, the truth begins to dawn on them? Paul B. Rainey?s critically-acclaimed sleeper hit returns in supple paperback with an all-new cover. Why Don?t You Love Me? is a hilariously terrifying meditation on mourning lost opportunities, rolling with the punches, and confronting reality as it turns on you?one day at a time. Rainey's tightly plotted relationship drama shifts into a science-fiction mindblower and keeps you surprised until the final heartbreaking panel.


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WINNIE THE POOH HC

The beloved childre's classic appears as a graphic novel for the first time Lynd Ward Graphic Novel Prize winner Travis Dandro takes a left turn from his detailed autobiography and returns with the charming tales of Winnie-the-Pooh. In 2015, the A. A. Milne children' classic, long since viewed as the benchmark for intelligent and whimsical storytelling, slipped into the public domain. The beloved series now gets the comics treatment from a gifted artist at the peak of his cartooning prowess. Dandro expands the world of Hundred Acre Wood in all directions, creating stunning full-page tableaus where Pooh and everybod's favorite character'Piglet, Eeyore, Owl, Tigger, and of course, Christopher Robi'to romp, argue, fail, and love. Indebted to the unforgettable pen-and-ink drawings of E. H. Shephard, this addition to the canon of timeless literature for all ages encompasses all of Winnie-the-Poo's original adventures.


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WITCHS GUIDE TO BURNING HC

Dhaliwal creates a land ruled by magic and fire, where the sky is thick with witches A witch's work is never done when she works for the people. With the success of her town relying on her magic, demands are high. But what happens when a witch can't keep up with the magical requests? She is burnt, of course'”in a cruel ritual that extinguishes her magic and erases all her memories, making her just like everybody else. But when a burning ceremony is interrupted by rain in Chamomile Valley, a witch is left writhing at the stake. It's up to a witch doctor and her toad friend to save the singed witch and nurse her back to health. Can they help her before her magic is lost forever? Aminder Dhaliwal's A Witch's Guide to Burning is a whimsical and humorous allegory for burnout in a society in desperate need of self-care. With a lavish blend of prose, illustration, and comics, Dhaliwal crafts an enthralling hybrid adventure story like you've never seen before. Follow Singe and her companions Yew-Veda and Bufo Wonder as they journey across dangerous landscapes, battling demons along the way in an extraordinary tale about sacrifice and healing.


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new series

WOODCHIPPER TP

An award-winning cartoonist confronts anxiety and regret. A long-time city maintenance worker keeps pulling an accident prone newbie?s fat out of the fire or maybe in this case, an arm and another arm and a leg out of the woodchipper. What happens when NOTHING HAPPENS? Can a disaster averted still be a disaster? In The Woodchipper, Joe Ollmann, cartoonist of the groundbreaking Governor General Award finalist Fictional Father, returns with a suite of comic short stories focused on his trademark nervous wreck characters caught in a series of escalating personal disasters. Everybody?s doing their best. Everybody?s just trying to get through the day.


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new series

WRONG PLACE HC

A new edition of the debut classic by a visionary stylist offered in a deluxe format Rendered in vivid watercolor where parquet floors and patterned dresses morph together, The Wrong Place revolves around oft-absent Robbie, a charismatic lothario of mysterious celebrity who has the run of a city as chaotic as it is resplendent. Robbie's sexual energy captivates the attention of men and women alike; his literal and figurative brightness is a startling foil to the dreariness of his childhood friend, Francis. With a hand as sensitive as it is exuberant, the first graphic novel by award-winning cartoonist Brecht Evens (The City of Belgium, Panther) captures the strange chemistry of social interaction as easily as he portrays the fragmented nature of identity. The Wrong Place contrasts life as it is, angst-ridden and awkward, with life as it can be: spontaneous, uninhibited, and free.


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YOKAI HC THE ART OF SHIGERU MIZUKI

Manga’s most beloved creator ventures into Japan’s mythical past and emerges with a menagerie unlike any other Shigeru Mizuki is no stranger to the supernatural and its portents. Kitaro and Tono Monogatari reimagined the obscure folktales of his youth, bringing them to life with whimsy. Mizuki the cartoonist certainly left an indelible mark on comics as world literature. Mizuki the fine artist, on the other hand, rounds out the full scope of his fascination with the otherworldly and fantastic, bringing these worlds to life in robust color. Yokai: The Art of Shigeru Mizuki showcases his expertise of not only folklore, but celebrates him as a naturalist. Elements of Mizuki’s lush compositions—flora, fauna, and everything in between—showcase his mastery of form and love for nature. These popular renderings of a disappearing, rural Japan are his contribution to the preservation of a cultural heritage that would have otherwise been forgotten. The grotesque realism central to his body of work is offset by the ingenuity of his fancy for the macabre. Pieces in this deluxe, full-color edition call to mind the playful pop-sensibility of Maurice Sendak informed by the technical prowess of traditionalists like Dürer and Doré. And like any other Mizuki classic, each oeuvre is a unique snapshot of spirit, human or otherwise, in constant transition. Yokai: The Art of Shigeru Mizuki includes supplementary writing by acclaimed Mizuki scholar and translator Zack Davisson.

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