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ACME NOVELTY DATEBOOK HC VOL 3

The third and final installment of the artist's facsimile sketchbook series. After over fifteen years deferral, delay and dawdling, the ink-and-paper cheerleader F. C. Ware finally succumbs to imaginary public pressure by concluding his tiresome experiment in reader trust with the third and final volume of secret notebooks and sketches spanning over thirty-seven years of bus rides, airport delays and telephone hold music. Exquisitely crafted fine art doodles, hand-selected meanderings and artisanal rewritings of personal conflict are scattered throughout comic strips unconsciously revealing private hostilities and unflattering portraits of public transportation riders, the whole carefully cleansed of any impugnable or litigious tracery. As a professional adult-picture-book drawer and regular contributor to the New Yorker, Le Monde and the Illinois Cook County Assessor’s office, Mr. Ware’s work in these pages secures his reputation as an reliably unreliable self-narrator, willing to say or write anything to win petty disputes and imagined squabbles. 208 full-color pages augmented by annotations, introduction and a professional apology, with paper boards and cloth spine of misleading demureness to conceal its native prurience.

ACTING CLASS HC (MR)

ACTING CLASS HC

(W/A/CA) Drnaso, Nick

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ARE YOU WILLING TO DIE FOR THE CAUSE HC

Are You Willing to Die for the Cause HC

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ARE YOU WILLING TO DIE FOR THE CAUSE TP

The critically acclaimed graphic novel about Quebec’s contentious history by the founder of D+Q–is now in paperback. It started in 1963, when a dozen mailboxes in a wealthy Montreal neighborhood were blown to bits by handmade bombs. By the following year, a guerilla army training camp was set up deep in the woods, with would-be soldiers training for armed revolt. Then, in 1966, two high school students dropped off bombs at factories, causing fatalities. What was behind these concerted, often bungled acts of terrorism and how did they last for nearly eight years? Chris Oliveros sets out to dispel common misconceptions about the birth and early years of a now-defunct movement whose legacy still holds a tight grip on Canadian politics and the hearts and minds of Quebec. The Front de libération du Québec (or in English, the Quebec Liberation Front), began as a socialist movement with a goal of championing workers’ rights among the province’s French-speaking majority. Their goal? Ridding the province of English business owner oppression by any means necessary–including violent revolution. Using dozens of obscure and long-forgotten sources, Oliveros skillfully weaves a comics oral history where the activists, employers, politicians, and secretaries piece together the sequence of events. At times humorous, other times dramatic, and always informative, Are You Willing To Die For The Cause? shines a light on how just little it takes to organize dissent and who people trust to overthrow the government.

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AYA HC VOL 08 FACE THE MUSIC

The young and restless of Yop City just can?t seem to catch a break. Marguerite Abouet and Clement Oubrerie?s world-renowned and critically acclaimed series about ?80s life in the Ivory Coast continues with Aya: Face the Music. After getting thrown in jail for organizing a student housing protest, Aya must grapple with the aftermath of her decisions. Her friends don?t have it much easier. Her classmate Cyprien has been unconscious since police violently broke up their demonstration, and his family can barely scrape together funds for treatment. Her dear friend Albert, last seen passing out at dinner with his family, awakes in the countryside in the clutches of a healer his father has hired to pray his gay away. In France, Albert?s ex-paramour Inno agrees to enter into a fake marriage with his friend Sabine with surprising results. And back in Abidjan, embattled starlet Bintou must find a way to capitalize on the public?s newfound sympathy after her house is burned down by an angry mob. Translated by Abidjan-based writer and activist Edwige Ren?e Dro, this contemporary classic of Ivorian literature bridges the gap between the past and present, proving that no matter how much things may change, we change with them too.

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AYA LIFE IN YOP CITY GN

Ivory Coast, 1978. It's a golden time, and the nation, too-an oasis of affluence and stability in West Africa-seems fueled by something wondrous. Aya is loosely based upon Marguerite Abouet's youth in Yop City. It is the story of the studious and clear-sighted 19-year old Aya, her easy-going friends Adjoua and Bintou, and their meddling relatives and neighbors. It's wryly funny, breezy account of the simple pleasures and private troubles of everyday life in Yop City.

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AYA LOVE IN YOP CITY GN

Aya: Love in Yop City comprises the final three chapters of the Aya story, episodes never before seen in English. Aya is a lighthearted story about life in the Ivory Coast during the 1970s, a particularly thriving and wealthy time in the country's history. This second volume of the complete Aya includes unique appendices - recipes, guides to understanding Ivorian slang, street sketches, and concluding remarks from Marguerite Abouet explaining history and social milieu. Inspired by Abouet's childhood, the series has received praise for offering relief from the disaster-struck focus of most stories set in Africa.

(W) Marguerite Abouet (A/CA) Clement Oubrerie

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BLACKWARD TP

Blackward TP

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CHECKED OUT GN

An aspiring cartoonist and book lovin' lesbian, Louise works a dead-end day job at a shoe store, where she spends most of her time brooding over a coworker who will never quite love her back. By night, she works diligently and obsessively on her graphic novel - the true story of a carrier pigeon who rescued a battalion of soldiers in WWI. When Louise unexpectedly lands a new job at a private library on the Upper East Side, she feels like her graphic novel will finally take off - surely the oldest library in New York has excellent holdings on pigeons and WWI. But what she finds in the stacks might be less revelatory than her discoveries between the sheets and buried in her own family history!

(W/A/CA) Katie Fricas

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CLIFF TP (MR)

The Cliff TP

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CLUB MICROBE HC

It's a ger's world. W're just living in it! In Club Microbe, Elise Gravel teaches young readers that germs live all around u'and even inside of us! Guided by Gravel in this formidable introduction to the fascinating world of microorganisms, we learn that some microbes get a bad rep for making us sick, but that most are helpful creatures that allow us to digest food, make cheese, and even enable snowflakes to form in winter. In her signature colorful cartoon style, Gravel describes the invisible work of microorganisms that aid in creating our food, producing oxygen, and keeping our planet alive. She gives us a tour of the heroes and the villains of the microbe world, stopping to marvel at their unique names and wondrous shapes. Following the perennial success of The Mushroom Fan Club and The Bug Club, this latest installment of the hit science-focused collection will deepen reader' curiosity for all aspects of the natural world. A whimsical primer on the microscopic life that surrounds us, Club Microbe is sure to pique the interest (and imagination!) of any young scientist. Translated by Montana Kane.

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CLYDE FANS TP

Abe and Simon Matchcard are brothers, struggling to save their archaic family business selling oscillating fans in a world switching to air conditioning. Simon flirts with becoming a salesman as a last-ditch effort to leave the protective walls of the family home, but is ultimately unable to escape Abe's critical voice in his head. As Clyde Fans Co. crumbles, so does the relationship between the two men, who choose very different life paths but both end up utterly unhappy.

(W/A/CA) Seth

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DEATH RAY TP (MR)

The Death-Ray TP

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DOG DAYS TP

The author of Grass and The Naked Tree returns with a profound tale of family Yuna never wanted to adopt a dog. But with her partner in mourning–and in desperate need of a boost in morale–she gives in to his humble request. And in the grand tradition of reluctant pet owners, she and their puppy soon become inseparable. The young couple even goes so far as to relocate to soothe their new canine pal’s anxiety. After all, there’s nothing like a move to the country to set yourself right. Right? The idyll of a quiet life soon gives way to a surprising degree of antagonism, including clashes with long-time local residents of a different generation. The culture shock is palpable for all three urban transplants as the isolation of their new environs starts to sink in. They eventually adopt another dog, and still another–all while reckoning with the ups and downs of middle-age and childlessness in an unforgivingly traditional milieu. Dog Days is critically-acclaimed and multi-award-winning cartoonist Keum Suk Gendry-Kim’s first foray into contemporary fiction. With the aid of veteran translator Janet Hong, Gendry-Kim’s twenty-first century tale of an unconventional family building trust with one another and their neighbors is a heartfelt exploration of compassion and the unlikely places we find the love we all need.

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DUCKS HC

Before there was Kate Beaton, New York Times-bestselling cartoonist of Hark! A Vagrant, there was Katie Beaton of the Cape Breton Beatons, specifically Mabou. With the singular goal of paying off her student loans, Katie heads out west to take advantage of Alberta's oil rush-part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much. Katie encounters the harsh reality of life in the oil sands, where trauma is an everyday occurrence yet is never discussed.

(W/A/CA) Kate Beaton

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DUCKS TWO YEARS IN THE OIL SANDS GN

Kate Beaton's Ducks stunned the world with its unflinching honesty and candid vulnerability, cementing its place in the graphic novel canon alongside Maus, Persepolis, and Fun Home. With the singular goal of paying off her student loans, young Katie heads out west to take advantage of Alberta's oil rush - in the tradition of East Coasters seeking gainful employment when they can't find it in the homeland they love so dear. Ducks: Two Years in the Oil Sands puts Beaton's natural cartooning prowess on display. Colossal machinery and mammoth vehicles are set against a sublime Albertan backdrop of wildlife, Northern Lights, and Rocky Mountains. But as one of the few women among thousands of men working for the world's largest oil companies, the culture shock is palpable. It does not hit home until she moves to a spartan, isolated worksite for higher pay. Katie encounters the harsh reality of life in the oil sands where trauma is an everyday occurrence yet never discussed. For young Katie, her wounds may never heal.

(W/A/CA) Kate Beaton

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FAMILIAR FACE HC

The bodies of citizens and the infrastructure surrounding them is constantly updating. People wake up in apartments of completely different sizes and shapes and commuter routes radically differ day to day. There is no way to resist-the updates are enacted by a nameless, faceless force. The signatures of DeForge's work-a vibrant color palette, surreal designs, and self-aware sense of humor-enliven an often-bleak technocratic future. Familiar Face is a masterful and deeply funny exploration of how we define our sense of self, and how we cope when so much of life is out of our control.

(W/A/CA) Michael Deforge

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FIREBUGS HC

Everything is changing– – but everything is also exactly the same. Ingken can’t ignore it: ice caps stained brown from forest fires, pipeline construction, drought… the whole world somehow persists despite the slow erosion of stability. After a trip to Paris, Ingken returns home ready for a break from drugs. Their supportive partner, Lily, is flushed, excited about a new connection she’s made. Although Ingken wants to be happy for her, there’s a discomfort they can’t shake. Sleepless nights fill with an endless scroll of images and headlines about climate disaster. A vague dysphoria simmers under their skin; they are able to identify that like Lily, they are changing, but they’re not sure exactly how and at what pace. Everyone keeps telling them to burn themself to the ground and build themself back up but they worry about the kind of debris that fire might leave behind. Nino Bulling’s artwork is immediately familiar. Like a conversation with a good friend, their story is told as quiet as it can be loud. Crowds and landscapes squiggle in expressive black and white. Red cuts through panels with energy and persistence, bringing life to what might seem dead. In its most intimate moments, Firebugs asks what it means to transition in a transitioning world.

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FORCES OF NATURE HC

The arrival of the greatest single panel cartoonist since Charles Addams One swing trapeze artist prepares to receive a newborn child from another all the while shrieking Support the head! A hopeful, naked Adam reaches high for the largest leaf while a frustrated Eve hands him a smaller, more-appropriately sized leaf. A dejected squid stands in a doorway, shock and dismay on his face, as a ruined surprise party lies in wait before him—guests, presents, and birthday cake covered in a blast of ink in mid-Sur… as loose balloons butt against the ceiling. Once in generation, a distinctly new perspective emerges from the pages of The New Yorker. In our times, that perspective belongs to Ed Steed. Steeped in the classic formalist tradition of the single-panel gag, Steed possesses a shocking and macabre talent for drawings guaranteed to make even the most composed of casual readers laugh out loud. At times reminiscent of Charles Addams, George Booth, William Steig, Saul Steinberg, and Edward Gorey, the artist defies the blasé, urbanite’s worldview of the magazine in which his comics appear. If anyone has described a New Yorker cartoon to you at a cocktail party recently it is almost certainly a Steed. Forces of Nature is the first of what promises to be many award-winning collections by this young man with an old cartooning soul.

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GIANT ROBOT HC

Celebrating the pop culture phenomenon that redefined what it meant to be Asian-American with tributes from Margaret Cho, Randall Park, Jia Tolentino, and more. Los Angeles, 1994. Two Asian-American punk rockers staple together the zine of their dreams featuring Sumo, Hong Kong Cinema and Osamu Tezuka. From the very margins of the DIY press and alternative culture, Giant Robot burst into the mainstream with over 60,000 copies in circulation annually at its peak. Giant Robot even popped right off the page, setting up a restaurant, gallery, and storefronts in LA, as well as galleries and stores in New York and San Francisco. As their influence grew in the 90s and 00s, Giant Robot was eventually invited to the White House by Barack Obama, to speak at Harvard University’s Graduate School of Design, and to curate the GR Biennale at the Japanese American National Museum. Home to a host of unapologetically authentic perspectives bridging the bicultural gap between Asian and Asian-American pop culture, GR had the audacity to print such topics side-by-side, and become a touchstone for generations of artists, musicians, creators, and collectors of all kinds in a pre-social media era. Nowhere else were pieces on civil rights activists running next to articles on skateboarding and Sriracha. Toy collectors, cartoonists, and street style pioneers got as many column inches as Michelle Yeoh, Karen O, James Jean, and Haruki Murakami. Giant Robot: Thirty Years of Defining Asian-American Pop Culture features the best of the magazine’s sixty-eight issue run alongside never-before-seen photographs, supplementary writing by long-term contributing journalist Claudine Ko, and tributes from now-famous fans who’ve been around since day one. Margaret Cho, Daniel Wu, and Randall Park celebrate Giant Robot’s enduring legacy alongside pioneering pro-skateboarder Peggy Oki, contemporary art giant Takashi Murakami, culinary darling Natasha Pickowicz, and critically acclaimed essayist Jia Tolentino.

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GIRL JUICE TP

Welcome to the Girl Juice House, home of only the hottest gang in town. Benji Nate's stylish and rambunctious sense of humor lovingly takes digs at the young and tragically hip-reserved and introspective Nana, comically hypersexual Bunny, fledgling U-tuber Tula, and Designated Mom? Sadie-as they navigate life, love, and the pursuit of a good time.

(W/A/CA) Benji Nate

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GLEEM TP

Enter a future of defiant vitality in GLEEM Imbued with cyberpunk attitude and in the rebellious tradition of afrofuturism, GLEEM is drawn with a fierce momentum hurtling towards a future world. Carrasc's distinct cinematic style layers detailed panels and spreads, creating a multiplicity of perspectives, at once dizzying and hypnotic. Vignettes unspool in proximity to our own social realities and expand into the outer layers of possibility. Whether in the club or a robot repair workshop, the characters in these three interconnected stories burst across frames until they practically step off the page. A boy becomes bored at church with his grandmother until he tries a psychedelic drug. A group of friends are told that they need a rare battery if they want any chance of reviving their friend. Street style and cybernetics meet and burst into riotous dancing. Kindness and violence might not be as distant from each other as we think. GLEEM unsettles with a confidence that could make you believe in anything.

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GREAT BEYOND HC

The Great Beyond HC

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HARK A VAGRANT HC (NEW PTG)

Hark! A Vagrant is an uproarious romp through history and literature seen through the sharp, contemporary lens of New Yorker cartoonist and comics-sensation Kate Beaton. No era nor tome is left unscathed as Beaton rightly skewers the Western World's revolutionaries, leaders, sycophants, and suffragists while equally honing her wit on the hapless heroes, heroines, and villains of the best-loved fiction. In just four years, Beaton has taken the comics world by storm with her non sequiturs, cheeky comebacks, and irreverent punch lines.

(W/A/CA) Kate Beaton

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HEAVEN NO HELL NEW ED HC

Heaven No Hell collects DeForge's best work yet. His ability to dig into a subject and break it down with beautiful drawings and sharp writing makes him one of the finest short story writers of the past decade, in comics or beyond. Heaven No Hell is always funny, sometimes sad, and continuously innovative in its deconstruction of society.

(W/A/CA) Michael Deforge

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HOLY LACRIMONY HC

Jackie has been determined to be the 'saddest living person in the entire world' by a mysterious team of alien abductors. His earthly musical celebrity is nothing compared to his emotional superstar status in the eyes of these curious and peculiar shape-shifters. Jackie is forced to perform his sadness over and over again on command, so his captors can study and master this very puzzling, very human emotion. Until just like that, Jackie is returned to his old life. Trying to comprehend what has happened, he joins a support group. It's a sea of conspiracy theorists, emotional vampires, and simpatico 'real' abductees. As each person tells their story, he realizes he may never know.

(W/A/CA) Michael DeForge

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HOSTAGE HC

In the middle of the night in 1997, Doctors Without Borders administrator Christophe Andr? was kidnapped by armed men and taken away to an unknown destination in the Caucasus region. For three months, Andr? was kept handcuffed in solitary confinement, with little to survive on and almost no contact with the outside world. Close to twenty years later, award-winning cartoonist Guy Delisle (Pyongyang, Jerusalem, Shenzhen, Burma Chronicles) recounts Andr?'s harrowing experience in Hostage, a book that attests to the power of one man's determination in the face of a hopeless situation. Marking a departure from the author's celebrated first-person travelogues, Delisle tells the story through the perspective of the titular captive, who strives to keep his mind alert as desperation starts to set in. Working in a pared down style with muted colour washes, Delisle conveys the psychological effects of solitary confinement, compelling us to ask ourselves some difficult questions regarding the repercussions of negotiating with kidnappers and what it really means to be free. Thoughtful, intense, and moving, Hostage takes a profound look at what drives our will to survive in the darkest of moments. Hostage has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as the Aya series by Marguerite Abouet and Cl?ment Oubrerie, Pyongyang by Guy Delisle, and Beautiful Darkness by Fabien Vehlmann and Kerasco?t. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal.

(W/A/CA) Guy Delisle

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HOT COMB GN

Hot Comb offers a poignant glimpse into Black women's lives and coming of age stories as seen across a crowded, ammonia-scented hair salon while ladies gossip and bond over the burn. The titular story is about a young girl's first perm-a doomed ploy to look cool and to stop seeming 'too white' in the all-black neighborhood her family has just moved to. Realizations about race, class, and the imperfections of identity swirl through Flowers' stories, which are by turns sweet, insightful, and heartbreaking.

(W/A/CA) Ebony Flowers

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new series

I ATE THE WHOLE WORLD TO FIND YOU TP

An entire sea of water can't sink a ship?unless it gets inside I Ate the Whole World to Find You maps the topography of trauma, treasures, and loss imposed onto the body of Jenny, a twenty-something-going-on-thirty-something partial hot mess who?s routing her way more firmly into adulthood. As she navigates friendship, family, and romantic relationships, will her inability to communicate destroy her, or ultimately be her rebirth? A coworker-turned-prospective-lover confesses a hard-to-swallow fetish. A train ride fantastically goes off the rails as old habits get dragged across the tracks. Cousins revisit summer holiday bliss?or was it really horror? Exes fumble an attempt to reconnect over a dip in the pool on a squelching summer day. And an expectant mother slips into an unusual place as she embarks on a communion with her baby more pure than language can accommodate. Set against an exquisitely lush Australian backdrop, Rachel Ang?s pencils are fluid yet scratchy, precise and evocative, bringing to life the inner and external world of Jenny with stunning realism and gushing imagination. Sprinkled with speculative fiction and fantasy, Ang?s radiant debut collection introduces a dynamic voice to comics, and establishes Ang as one of the most exciting short-story writers working in comics today.

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ITS A GOOD LIFE IF YOU DONT WEAKEN TP

While trying to understand his ennui, Seth discovers the life and work of Kalo, a forgotten New Yorker cartoonist from the 1940s. But his obsession blinds him to the needs of his lover and the quiet desperation of his family. Wry self-reflection and moody colors characterize this tale about learning lessons from nostalgia. His playful and sophisticated experiment with memoir provoked a furious debate among cartoon historians and archivists about the existence of Kalo, and prompted a Details feature about Seth's 'hoax.'

(W/A/CA) Seth

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KILLING & DYING GN TOMINE

After enjoying over six months on the New York Times Bestseller list, acclaimed cartoonist Adrian Tomine's realist masterpiece is now available in paperback, with an updated cover and French flaps. With this work, Tomine reaffirms his place not only as one of the most significant creators of contemporary comics, but as one of the great voices of modern American literature. His gift for capturing emotion and intellect resonates: the weight of love and its absence, the pride and disappointment of family, the anxiety and hopefulness of being alive in the twenty-first century.

(W/A/CA) Adrian Tomine

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LAND OF MIRRORS TP

Seeped in flamenco rhythms, a hero?s journey of love and hope Antonia is the sole inhabitant of a deserted town, with only a roaming pack of dogs and her own worn out memories to keep her company. Nothing is new in this world, the ponds are so still they are dead, and her recollections feel more vivid than her surroundings. At times, the isolation is unbearable. Until she meets her flower. Her flower gives her purpose: a reason to get up each morning, to ring the bells of the town, to wake up the fields, and to feel alive. And yet a relentless thought eats away at her?what will happen once her flower dies? Her quest to save the flower begins alongside a charming traveler from the land of mirrors.The pair embark on a journey filled with music, swimming holes, and folk tales whispered late into the starry night. They march through the fields to the beat of turtledove calls, occasionally stopping to get drunk off the fruits of the strawberry tree. Slowly Antonia opens up to the world beyond her town, to the people who inhabit it?and to the endless possibilities of community and friendship. One of Spain?s most successful contemporary illustrators, Maria Medem?s atmospheric storytelling bursts with sensorial delight?brimming with engrossing sounds, flavors, and tactile sensations. With impeccable line work and an enchanting use of color, Medem spins a heartfelt meditation on loneliness, friendship, and the transformative power of love. Translated from Spanish by Aleshia Jensen and Daniela Ortiz.

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LEGEND OF KAMUI TP VOL 01

The iconic series that launched the alt-manga bible GARO becomes available in English for the very first time. At long last, manga titan Shirato Sanpei's groundbreaking epic makes its way into English. Celebrated as a watershed of both the Japanese counterculture and dramatic, longform storytelling in manga, The Legend of Kamui serves up clashing swords and class struggle to create a timeless political allegory set in feudal Japan. This ten-volume series is a must-have for fans of samurai and ninja manga and anime, and of other giants of postwar manga like Tezuka Osamu, Mizuki Shigeru, Tsuge Yoshiharu, and Lone Wolf and Cub's Kojima Goseki. It's the 17th century in Japan. Child outcast Kamui lives on the fringes of a miserably stratified society. Fueled by pure grit, rage, and a dash of cunning, his only way out is to take up the mantle of ninja. Follow scrappy peasants, cold-blooded ninja, and disgraced and exalted warriors as they navigate the unforgiving hardships of a violent yet hopeful age. With its vivid and critical attention to social injustice and environmental issues against a backdrop of heart-pounding action and romance, this multilayered gekiga drama not only redefined ninja and samurai fantasy, it also offers astonishing parallels with the modern day. Originally serialized between 1964 and 1971 in the legendary alt-manga magazine GARO, The Legend of Kamui is translated by social historian and decorated academic Richard Rubinger with Noriko Rubinger.

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MELVIN MONSTER TP

Melvin Monster TP

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MILK WHITE STEED TP

The mournful, tragicomic tune of wanderlust undercut by the longing for a home seemingly lost ?Have I settled down yet?? The question rings eternal across all ten stories in this highly anticipated debut collection of comics fiction by New Yorker and New York Times contributor Michael D. Kennedy. A series of individuals leave the West Indies and attempt to find their footing in the damp dinge of England?s counties. A child on his daily trike ride is stalked by a sinister, shape-shifting ligahoo. A blues singer?s wife hallucinates untoward revelations in the grips of high yellow fever when she inhales spores from psychedelic mushrooms growing unchecked in their apartment. A man dwells on his absent father, paints the man into a duppy myth, and bears the consequences of this fantastical undertaking. Inspired by the folk tales and oral traditions of his Caribbean roots, Milk White Steed is a dreamlike venture into the messy truths of everyday West Indian lives: the abiding pursuit of the familiar and the vicious appraisal of their own otherness, all at once. Phantom desires, unchecked reveries, and surreal visions of the future flood the page in full-color. Kennedy?s decisive woodcut-inspired brush-strokes draw a striking portrait of the Black diaspora as it sees itself, always searching and yet forever seeing.

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MOOMIN ADVENTURES TP VOL 1

The classic comic strip by Tove Jansson and Lars Jansson in a new paperback series Presented in an all new softcover format that collects the all ages comics of both Tove Jansson and Lars Jansson, the five-volume Moomin Adventures series will introduce the timeless comic strip to a new generation of readers of all ages. The strip’s gentle humor and subtle yet sharp musings on life relay an utterly human existence through the lives of Moomin, Moominmamma, Moominpappa, Snufkin, Little My, Snork Maiden and more. Moomin Adventures: Book One kicks off with perhaps the most famous adventure of them all, Moomin on the Riviera, which was adapted into an animated feature and debuted at the London Film Festival. In Moomin’s Desert Island, the entire Moomin family is stranded on a desert island—the very island their ancestors came from. The Moominvalley hijinx continued with a charming mix of strips from Finland’s most famous writer/artist Tove Jansson, and her brother Lars Jansson who taught himself how to draw in order to take over the strip when it was in syndication. When D+Q debuted the Moomin comic strip in 2007, it was the first time that the comic strip had been published in english since its original appearance in the London Evening News. The series has gone on to sell 400,000 volumes.

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new series

MUYBRIDGE HC

How do you capture a changing world in the blink of an eye? Sacramento, California, 1870. Pioneer photographer Eadweard Muybridge becomes entangled in railroad robber baron Leland Stanford?s delusions of grandeur. Tasked with proving Stanford?s belief that a horse?s hooves do not touch the ground while galloping at full speed, Muybridge gets to work with his camera. In doing so, he inadvertently creates one of the single most important technological advancements of our age?the invention of time-lapse photography and the mechanical ability to capture motion. Critically-acclaimed cartoonist Guy Delisle (Pyongyang, Hostage) returns with another engrossing foray into nonfiction: a biography about Eadweard Muydbridge, the man who made pictures move. Despite career breakthrough after career breakthrough, Muybridge would only be hampered by betrayal, intrigue, and tragedy. Delisle?s keen eye for details that often go unnoticed in search of a broader emotional truth brings this historical figure and those around him to life through an uncompromising lens. Translated from the French by Helge Dascher & Rob Aspinall, Muybridge turns a spotlight on what lives in the shadow of an individual?s ambition for greatness, and proves that Eadweard Muybridge deserves to be far more than just another historical footnote.

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MY BEGGING CHART TP

Keiler Roberts mines the passing moments of family life to deliver an affecting and funny account of what it means to simultaneously exist as a mother, daughter, wife, and artist. Drawn in an unassuming yet charming staccato that mimics the awkward rhythm of life, no one's foibles are left unspared, most often the author's own.

(W/A/CA) Keiler Roberts

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MY PICTURE DIARY HC (MR)

My Picture Diary HC

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NATIVE TREES OF CANADA TP

A new edition of the artist’s bold reinterpretation of a century-old book With a foreword by Sheila Heti, Leanne Shapton’s cult art book inspired by a government textbook is back in print with a gorgeous new cover. While shopping in the used-book store the Monkey's Paw in Toronto, Leanne Shapton happened upon a 1956 edition of the stalwart reference book The Native Trees of Canada, originally published in 1917 by the Canadian Department of Northern Affairs and National Resources. Most people might simply view the book as a dry cataloging of a banal subject; Shapton, however, saw beauty in the technical details and was inspired to create her own interpretation of The Native Trees of Canada. Shapton distills each image into its simplest form, using vivid colors in lush ink and house paint. She takes the otherwise complex objects of trees, pinecones, and seeds and strips them down into bold, almost abstract shapes and colors: the water birch is represented as two pulsating red bulbs contrasted against a gray backdrop; the eastern white pine is represented by a close-up of its cone against a radiant summer sky. The author of Guest Book; Toys Talking; Sunday Night Movies; Swimming Studies; Was She Pretty? and Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry, Shapton puts forth yet another entirely new facet of her creative artistry.

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NEJISHIKI HC (MR)

Nejishiki HC

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OBA ELECTROPLATNG FACTORY HC

An alt-manga legend strikes out on his own, creating some of his most revealing and personal works Oba Electroplating Factory is a startlingly bleak but nonetheless captivating portrait of mid-century Japan in its most unglamorous iteration. Glimpses of the artist reflecting upon his life, his work, and his contemporaries pepper the narrative landscape: a wife teases her husband about a former fling on a trip to the hot springs, a young cartoonist is aghast at the cavalier conduct of his supposed betters, and imperfect men must grapple with the discomfort of their own honesty. Tsuge’s stories are studies in staging nature, working to evoke stillness and movement in such a way that renders his chosen setting a character all on its own. Following the breakthrough success of Nejishiki, Yoshiharu Tsuge forges a path for autofiction in manga and changes the cultural landscape of comics forever. Some of his most revealing and personal works were published between 1973 to 1974. As much as it is a testament to the author’s predilection for addressing sensitive and mature themes in response to his culture, this volume also collects works from the only period in which Tsuge tries his hand at writing for a mainstream audience in earnest. This fourth volume in the complete works of a legendary manga-ka is an indispensable addition to the literary comics canon and shining example of world literature at its most human. EditBuild

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PAYING FOR IT TP FILM EDITION

Paying for It was the most talked-about and controversial graphic novel of 2011, a critical success so innovative and complex that it received two rave reviews in The New York Times. Chester Brown's eloquent, spare artwork stands out in this new paperback edition, tied to the release of the film adaptation co-written and directed by Sook-Yin Lee, Brown’s longtime friend and the director of Year of the Carnivore and Octavio is Dead! Paying for It offers an entirely unvarnished exploration of sex work through Brown’s own life story, showing him as a timid john who rides his bike to his escorts, wonders how to tip so as not to offend, and reads Dan Savage for advice. The book demystifies an experience that is so often sensationalized, revealing a world of online reviews, seem- ingly willing participants, and clean apartments devoid of clichéd street corners, drugs, or pimps. In it, Brown combines the personal and sexual aspects of his autobiographical work (I Never Liked You, The Playboy) with the polemical drive of Louis Riel, as he explores one of the most hotly debated issues in the world and advocates for the importance of legalizing sex work. Now with an introduction by Lee, expanded notes discussing the film adaptation, movie stills and behind the scenes shots, as well as a new cover by Brown and artwork that he created for the production, Paying for It: The Film Edition is an unmissable edition for fans of Brown and film-making alike.

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PREPARING TO BITE GN

Cartoonist Keiler Roberts quit making comics. Or did she? Preparing to Bite, her latest collection of all-new, one-page comics is a return to perfect form. Roberts skewers innocuous aspects of everyday life and dissects them for their unique absurdity: from cooking meals, to keeping doctors' appointments, to owning pets, and even navigating now-inescapable zoom calls. These vignettes portray a woman in middle-age grappling with the realities of being a mother, a wife, a friend, a daughter, and lastly (perhaps even least of all), a practicing artist - all while dealing with the long-term effects of a debilitating disease.

(W/A/CA) Keiler Roberts

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PROCESSING 100 COMICS THAT GOT ME THROUGH IT GN

Part advice column and exhibit, exploration of psychic pollution and tranquility, Processing is-quite simply-intrepid: in its honesty; its unapologetic grossness; its unrivaled and frank portrayal of life with a body that bleeds. In the grand tradition of underground women cartoonists like Julie Doucet and Aline Kominsky-Crumb, Booth draws a horned up woman laying rose petals on the bed, to distract from the bedbugs before her hookup arrives. She bears witness to the reality of wearing a t-shirt with no bra-when you stretch, your boobs, sometimes, pop right out. This is all just life but we don't often see it on the page. With color that vibrates and fluids that impose, Processing lays Booth bare-literally and figuratively.

(W/A/CA) Tara Booth

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PROCESSING TP

Riotous bodies abound in these deeply honest comics that will get you through it (or at least help) “When you order CBD gummies for your anxiety but forget to consider your eating disorder.” Known for her buzzing colors, delightful patterns, sharp humor, and unflinching vulnerability, Tara Booth does not miss any mark in this exquisitely woven collection of pure and nasty magic. Part advice column and exhibit, exploration of psychic pollution and tranquility, Processing is—quite simply—intrepid: in its honesty; its unapologetic grossness; its unrivaled and frank portrayal of life with a body that bleeds. In the grand tradition of underground women cartoonists like Julie Doucet and Aline Kominsky-Crumb, Booth draws a horned up woman laying rose petals on the bed, to distract from the bedbugs before her hookup arrives. She bears witness to the reality of wearing a t-shirt with no bra—when you stretch, your boobs, sometimes, pop right out. This is all just life but we don’t often see it on the page. Undaunted, Booth draws it. When advice from spiritual gurus like Tara Brach and Ram Dass just aren’t cutting it, take solace in the genuine arms of Tara Booth: a fearless cartoonist who is unafraid to put her existential angst, blemishes, and stains right on the page, and who—with relentless relatability—makes us all feel a bit more at home in our too-human vessels. With color that vibrates and fluids that impose, Processing lays Booth bare—literally and figuratively.

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PYONGYANG A JOURNEY IN NORTH KOREA GN (CURR PTG)

Complete with a new cover and an introduction by Gore Verbinski, this expanded edition of the international bestselling graphic novel Pyongyang is more important now than ever. Guy Delisle recounts his experience as one of the few Westerners to be allowed access to the fortresslike country when he was working in animation for a French company. While living in the nation's capital for two months on a work visa, Delisle observed everything he was allowed to see of life and culture in the 'hermit kingdom.'

(W/A/CA) Guy Delisle

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Q&A TP

Everything you wanted to know about storytelling or Adrian Tomine but were too afraid to ask That would’ve been too easy and spontaneous for me, and I had to find a way to make everything more complicated. And yet for over thirty years, bestselling author, screenwriter, and New Yorker cover artist Adrian Tomine’s work has set the standard for contemporary storytelling. With Tomine, his readership has grown from the dedicated following of his comic-book series Optic Nerve to include a wider but still engaged, opinionated, and ever-inquiring public. And now, for the first time in print, Tomine responds to his readers directly, tackling their questions and comments with generosity, humor, and vulnerability. Q&A is one part personal history, one part masterclass in crafting quality entertainment. With questions pulled from his time at the Substack Writers’ Residency, and with additional, new material, Q&A is an indispensable addition to the collections of eagle-eyed fans and aspiring artists, writers, and cartoonists alike. Tomine answers questions about his preferred tools, his creative process, the ups and downs of adaptation, and perhaps most importantly—how to pronounce his last name. Illustrated with drafts, outtakes, and photos from the artist’s personal collection, this rare peek into the mind of a contemporary cartooning giant lays out the method to his meticulous brand of madness. The artist looks back on his career in response to queries from his—maybe adoring but mostly curious—public with his signature dry wit and unflinching, self-deprecating honesty.

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RAW SEWAGE SCIENCE FICTION HC

The great fine art doodler returns Canadian treasure Marc Bell returns with another gorgeous, confounding comic that redefines how an art book can tell a story and how a graphic novel can be an object first and story second. His internal monologue leaks out like static from a radio and informs the external; he’s tying up loose ends; he’s finishing long-paused sentences. Raw Sewage Science Fiction is about making art and understanding the results as autobiography. The process is a series of indignities, bubble wrapped frames, unpaid invoices, art lost through neglect or in the mail. Bell uses autofiction, collage, straight comix, tight cross hatching, loose doodling, repurposed in-flight magazines, envelopes, grocery lists, and snatches of late night CBC radio to examine a lost decade as he wanders from coast to coast. In a century, these will be our illuminated manuscripts, our sacred texts, our guides to life for now they are simply the truth—the irritating, confounding, glorious truth.

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ROAMING GN

Over the course of a much-anticipated trip to New York, an unexpected fling blossoms between casual acquaintances and throws a long-term friendship off-balance. Slick attention to the details of a bustling, intimidating metropolis are softened with a palette of muted pastels, as though seen through the eyes of first-time travelers. The awe, wonder, and occasional stumble along the way come to life with stunning accuracy.

(W) Jillian Tamaki, Mariko Tamaki (A/CA) Jillian Tamaki

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SABRINA HC

Nominated for the Man Booker Prize! When Sabrina disappears, an airman in the U.S. Air Force is drawn into a web of suppositions, wild theories, and outright lies. The follow-up to Nick Drnaso's LA Times Book Prize-winning Beverly, Sabrina depicts a modern world devoid of personal interaction and responsibility, where relationships are stripped of intimacy through glowing computer screens. An indictment of our modern state, Drnaso contemplates the dangers of a fake news climate.

(W/A/CA) Drnaso, Nick

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SECOND HAND LOVE GN

Drawn soon after the critically-acclaimed Talk to My Back, the two stories in Second Hand Love mark the triumphant return of Yamada Murasaki, one of literary manga's most respected feminist voices. Through a cracked door, heartsick Emi hears a playful growl. Cautiously, she lets her lover in-a wolf of a man wielding a bouquet of roses. His shoulders must have been four inches wider than mine. As I stood behind him, I fantasized about the broadness of his chest and the thickness of his neck... and about becoming his mistress once again.

(W/A/CA) Yamada Murasaki

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SECOND HAND LOVE TP

In the end, we're all the same…we just want to be smothered like babies against another human's beating heart Through a cracked door, heartsick Emi hears a playful growl. Cautiously, she lets her lover in—a wolf of a man wielding a bouquet of roses. His shoulders must have been four inches wider than mine. As I stood behind him, I fantasized about the broadness of his chest and the thickness of his neck...and about becoming his mistress once again. And so their story goes. For a young woman interested in love without the hassle of a traditional relationship, an affair with someone else’s spoiled husband is just what she ordered—until it's time to move on. Then there’s Yuko: with even less time for married men's shenanigans, she turns her attention to her aging father and the guilt of adultery that has gnawed at his heart for years. Her mother is long dead, yet her memory is enshrined for eternity in their—both father’s and daughter's—mirrored indiscretions. Drawn soon after the critically-acclaimed Talk to My Back, the two stories in Second Hand Love mark the triumphant return of Yamada Murasaki, one of literary manga's most respected feminist voices. Translated by noted historian Ryan Holmberg, this edition includes an interview with the artist from the height of her career in 1985, where her wit and wisdom are on shimmering display.

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SELF ESTEEM AND THE END OF THE WORLD TP

Life is not a race. There are no winners and losers. Immeasurable people are doing better than you'¦immeasurably worse. You are statistically average. For over ten years, fictional Luke Healy has invested all of his self-esteem into his career. But two years post publication of his latest book, and suffering the blow of his twin-brother not finding him fit to act as best man, both Luke's career and self-esteem seem to have disintegrated. Set against the backdrop of a dangerously changing global climate, with melting ice-caps and flooding cities, Self-Esteem and the End of the World spans two decades of tragicomic self-discovery. From discussing self-help books like Marie Kondo's with the guy you invited over for sex, to summiting a Greek mountaintop while pretending to be working remotely, and a workplace destination murder mystery to a Hollywood revival of Luke's early work, we see our protagonist grappling with his identity as the world crumbles. Quietly funny, smartly introspective, and grounded in deeply-felt familial highs and lows, Self-Esteem and the End of the World ponders what happens when the person you are isn't who you need to be, who you are when nobody's watching, and ultimately, who can you possibly be at the end of the world?

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SHORTCOMINGS A SCREENPLAY TP

The annotated and expanded screenplay adaptation of the landmark graphic novel Ben and Miko’s relationship is in trouble. He’s a struggling filmmaker, she works for a local film festival, and in various ways, they’re both searching for something else. When he’s not managing a derelict movie theater, Ben spends his time obsessing over unavailable blonde women, watching Criterion Collection DVDs, and eating in diners with his best friend Alice, a grad student with a serial dating habit. When Miko moves to New York for an internship, Ben begins to explore what he thinks he wants, throwing himself headfirst into new relationships, unfamiliar surroundings, and uncharted emotional territory. Equal parts comedy and drama, Shortcomings explores the complexities of culture, desire, and Asian American identity with a critical eye and unsparing, irreverent wit. Based on Adrian Tomine’s groundbreaking graphic novel of the same name, Shortcomings was written by Tomine and directed by Randall Park. It premiered at the Sundance Film Festival and was an official selection at the Tribeca Festival in advance of a theatrical release from Sony Picture Classics. Tomine’s screenplay is presented here with extensive annotations, commentary, and bonuses, including alternate and deleted scenes, a selection of color film stills, an introduction from Randall Park, and an exclusive new comic from Tomine. An essential companion to the original graphic novel, this volume is an illuminating document of an iconic story’s adaptation from page to screen.

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SO LONG SAD LOVE TP

No matter how wrong relationships can be, ther's nothing quite like getting them right. Every gu's been a creep at one point or another. Tha's just the way it is. Or at least, tha's what Cleo tells herself once she finds out her boyfriend might not be the man she thought he was. Is it possible to keep loving someone yo're not sure you can trust? More to the point, should you? Once the fabric of Cle's relationship rips at the seams, the life she had built with hi'abroad and away from those closest to he'unravels right before her eyes. Yet, letting it fall to pieces as she walks away is only half the story. So Long Sad Love swaps out the wobbly transition of weaving a new existence into being post-heartbreak for the surprising effortlessness and simplicity of a life already rebuilt. Cleo not only rediscovers her identity as an artist but uncovers her capacity to find love where she has always been most at home: with other women. Mirion Malle dares to tell a story with a happier ending in a stunning, full-color follow-up to the multi-award nominated This is How I Disappear. Translated by Governor General Literary Award nominee Aleshia Jensen, So Long Sad Love unabashedly skips to the good part and shines a light on just how rewarding following your bliss can be.

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STEP ASIDE POPS HARK A VAGRANT COLLECTION HC

Ida B. Wells, the Black Prince, and Benito Ju?rez burst off the pages of Step Aside, Pops: A Hark! A Vagrant Collection. Kate Beaton's second D+Q book brings her hysterically funny gaze to bear on these and even more historical, literary, and contemporary figures. Irreverently funny and carefully researched, no target is safe from Beaton's incisive wit in these satirical strips. Beaton returns with a refined pen, ready to make jokes at the expense of hunks, army generals, scientists, and Canadians in equal measure.

(W/A/CA) Kate Beaton

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SUPERMUTANT MAGIC ACADEMY GN

Jillian Tamaki is best known for co-creating the award-winning young adult graphic novels Skim and This One Summer, moody and atmospheric bestsellers. SuperMutant Magic Academy, which Jillian has been serializing online for the past four years, deftly plays superhero and high school Hollywood tropes against what adolescence is really like: the SuperMutant Magic Academy is a prep-school for mutants and witches but their paranormal abilities take a back seat to everyday teen concerns.

(W/A/CA) Jillian Tamaki

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THERES NO TIME LIKE THE PRESENT GN

Paul B. Rainey's There's No Time Like the Present continues to upend grand science fiction gestures with a deep desire to understand the emotional lives of the common man (nerd). It's a simple conceit: time travel is only possible between the invention of the necessary, functioning machinery and the day those machines are shut off. In that finite sliver of space-time, humanity schisms into those who defiantly refuse to look into the future, and those who reap the benefits of doing so.

(W/A/CA) Paul B Rainey

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VERA BUSHWACK TP

A uniquely thrilling and emotive fantasy ride along a sea-bordered highway The wondrous rustic landscape of Nova Scotia bursts from the page in Vera Bushwack, where reality gladly gives way to fantastical flights of fancy before gently coming back down to earth. A chainsaw fires up and Drew’s vision blurs. Their body vibrates alive with the whrrr of the engine, the whiff of gas. Drew dissolves as their alter-ego, Vera Bushwack, takes charge. Assless-chaps-wearing, unflinching Vera slashes through thick trunks, felling trees righteously from the back of a majestic steed. Vera’s here to help, of course. Drew needs to clear the land for their future cabin in the woods. And if it weren’t for Vera’s brazenness, Drew may, ironically, fall reliant on others to learn self-reliance. Nevertheless, men enter Drew’s orbit, all too eager to explain how things work—an aggravating occurrence that comes crashing into Drew as dependably as the nearby ocean waves. Joy, anger, grief, and self-acceptance ripple through these pages with Sig Burwash’s hilariously expressive pencil drawings and flair for buoyant watercolors. Approaching something like liberation, our protagonist comes to terms with past traumas, boundaries, and the many expressions of themself.