SELF ESTEEM AND THE END OF THE WORLD TP - DRAWN & QUARTERLY - preview usa - 978177046714952995
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ItalyComics
EAN
978177046714952995
ISBN
9781770467149

Sinossi

Life is not a race. There are no winners and losers. Immeasurable people are doing better than you'¦immeasurably worse. You are statistically average. For over ten years, fictional Luke Healy has invested all of his self-esteem into his career. But two years post publication of his latest book, and suffering the blow of his twin-brother not finding him fit to act as best man, both Luke's career and self-esteem seem to have disintegrated. Set against the backdrop of a dangerously changing global climate, with melting ice-caps and flooding cities, Self-Esteem and the End of the World spans two decades of tragicomic self-discovery. From discussing self-help books like Marie Kondo's with the guy you invited over for sex, to summiting a Greek mountaintop while pretending to be working remotely, and a workplace destination murder mystery to a Hollywood revival of Luke's early work, we see our protagonist grappling with his identity as the world crumbles. Quietly funny, smartly introspective, and grounded in deeply-felt familial highs and lows, Self-Esteem and the End of the World ponders what happens when the person you are isn't who you need to be, who you are when nobody's watching, and ultimately, who can you possibly be at the end of the world?


prevendita

ACME NOVELTY DATEBOOK HC VOL 3

The third and final installment of the artist's facsimile sketchbook series. After over fifteen years deferral, delay and dawdling, the ink-and-paper cheerleader F. C. Ware finally succumbs to imaginary public pressure by concluding his tiresome experiment in reader trust with the third and final volume of secret notebooks and sketches spanning over thirty-seven years of bus rides, airport delays and telephone hold music. Exquisitely crafted fine art doodles, hand-selected meanderings and artisanal rewritings of personal conflict are scattered throughout comic strips unconsciously revealing private hostilities and unflattering portraits of public transportation riders, the whole carefully cleansed of any impugnable or litigious tracery. As a professional adult-picture-book drawer and regular contributor to the New Yorker, Le Monde and the Illinois Cook County Assessor’s office, Mr. Ware’s work in these pages secures his reputation as an reliably unreliable self-narrator, willing to say or write anything to win petty disputes and imagined squabbles. 208 full-color pages augmented by annotations, introduction and a professional apology, with paper boards and cloth spine of misleading demureness to conceal its native prurience.

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